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Jolie Holland - Catalpa [2003] [EAC FLAC]

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Music : Other : Lossless
 



Jolie Holland - Catalpa [2003]
[EAC/FLAC]

 


FLAC /
Lossless / Log (100%) / Cue 
Label/Cat#: Epitaph #266912
Country: USA
Year: November 11, 2003
Format:CD
Genre: americana






 

[b]


1. Alley Flowers (5:02)
2. All the Morning
Birds (4:23)
3. Roll My Blues (4:07)
4. Black Hand Blues (2:56)
5. December, 1999 (3:36)
6. I Wanna
Die (5:19)
7. Demon Lover Improv (4:33)
8. Catalpa Waltz (5:09)
9. The Littlest Birds (3:59)
10.
Wandering Angus (4:00)
11. Periphery Waltz (4:06)
12. Ghost Waltz (3:50)





Most know Jolie Holland as a member of Vancouver's the Be Good Tanyas. Catalpa is her first album, but it wasn't
recorded as such. It had been a demo recording passed around to fans until Neume reviewed it on the internet. The
venerable upstart label Anti has given it the proper release it deserves. Holland is a native Texan, and it shows in her
songwriting. Her images are rich, though stark and Gothic; they sound transposed. While her worldview is mostly modern,
its articulation is rooted in a mythical, metonymic America that ceased to exist long before Greil Marcus ever thought
about writing Invisible Republic. Catalpa is a place of scribbles and ciphers. Holland's songs are etched out of
encounters and experiences that are mercurial, fleeting. As evidenced by "Alley Flowers," a love song, the
present and the past intermingle, where street corners and figures like Jesus and Zora Neale Hurston are evoked as
relational archetypes, effortlessly. An acoustic guitar played repetitively is colored by bells in the same way Mickey
Newbury used rain, as a device to remember and to intimately tell the object that this story is whole, complete, and
utterly true in this moment. A pulsing tom tom hangs the tune in the hallmark of memory, haunted, hunted, rooted in the
moment, though that moment may have come and gone decades ago. On "I Wanna Die," the spirit of the Carter
Family is invoked with a beautifully sung two-part harmony, and a muted banjo played by Enzo Garcia. The song is dark,
end of the road Appalachian country, and in the grain of her voice one can hear Holland as every tired, homeless woman
who has ever wondered how she slid so far into despair. The sound of a singing bird ushers in the "Periphery
Waltz." Accompanied by her haphazardly strummed acoustic guitar, she sings: "I left my home in the church, I
left my home in the suburbs to wander/ I did it all for my dreams /And the star that I followed fell from the
periphery/-the street lights slipping down my windshield fell like falling stars." This wanderlust is not romantic,
it's necessary for survival, and in the fragility of her singing lies the courage of a lioness. There are covers on
Catalpa too. "The Littlest Birds" was written as an addendum to a Syd Barrett song and he's listed as a
co-writer. Holland sets William Butler Yeats' mighty poem "Wandering Angus" to music as well, and she does a
mean cover of Hattie Hudson's "Black Hand Blues." The set closes with "Ghost Waltz," where Garcia's
banjo and Holland's guitars entwine in a lilt worthy of Ralph Stanley. And, like Stanley, she sings with a forlorn
authority that is gracious and tender: "You are so kind to be civilized/don't think that I haven't noticed/I've
been too sad to think and too sick to care/but someday I'll meet you in the cold midnight air/I've been a ghost in
houses I've loved/I've been a stranger to heaven above, but as for the world below, this is the one I know, my poor
beloved home." And into the ether the tune disappears, leaving its ghost traces in the heart and mind of the
listener.

 

 

 

                                                              

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