All Anime Applications Games Movies Music TV shows Other

LAST NIGHT I WAS WITH LESLIE KONG -ABOUT FOUR HOURS-

    Seeders : 0      Leechers : 0

Note :

Please Update (Trackers Info) Before Start "LAST NIGHT I WAS WITH LESLIE KONG -ABOUT FOUR HOURS-" Torrent Downloading to See Updated Seeders And Leechers for Batter Torrent Download Speed.

Trackers List

Torrent File Content (85 files)

Description

Music : Reggae : Lossless
LESLIE
"KING" KONG
RELEASE: 1961-1971
LABEL: BEVERLY´S RECORDS
COMPILATION & TECHNICAL WORK:
KAVESOUNDMRNOBODY DEVELOPMENT TEAM  
FLAC FORMAT, NO COMPRESSION
STYLES: SKA, ROCKSTEADY & EARLY REGGAE


..BETTER MUST
COME...I HOPE, I HOPE IT, MY HUMAN BEING...LATELY I WAS INVESTIGATING ABOUT A GREAT JA PRODUCER, MR.KONG. HE OPEN
THE DOORS TO A LARGE ARTISTS STAFF -MAINLY JIMMY CLIFF OR DERRICK MORGAN- BUT NO FORGET A YOUNG ROBERT NESTA (BOBBY
MARTELL  ), DESMOND DEKKER OR THE
MAYTALS. THIS WAY OBLIGATE ME TO INVESTIGATE ACROSS THE HISTORY OF REGGAE MUSIC & KNOW ABOUT THE SENSE OF CERTAIN
MUSIC IN A SPECIFIC TIME SOCIETY.
THE TECHNICAL ASPECTS OF THIS WORK NOT HAVE A PERFECT RESULT...IN A FIRST POINT I
DON´T HAVE ALL TRACKS IN LOSSLESS FORMAT...I CONVERTED SOME MP3S TO LOSSLESS   & I DIDN´T INTRODUCED IN THESE FILES NORMALIZE TOOL. FURTHERMORE, I
DON´T APPLIED ANY COMPRESSION -MY APOLOGIES WASATWOODSTOCK-  BECAUSE THE RESULT WITH COMPRESSION WAS
IRREGULAR IN THE FINAL STEP. 
I HOPE THIS WORK, REGGAE DEMONOID FAMILY, WILL BE AN INSTRUCTIVE STROLL AROUND THE
EARLY REGGAE CULTURE...DON´T KEEP UP WITH THE JONESES, BE YOURSELF WITH A GORGEOUS STYLE!!!!!

 

"He was there from in the
ska era and he made the most chart music in the sixties and seventies but the younger people don't really know about
Beverley's." Bunny Striker Lee

For almost an entire decade Leslie Kong's
Beverley's(Beverleys) Records were an unassailable force in Jamaican music, from shuffle and boogie, through ska, rock
steady and on to early reggae, but Leslie Kong, a Chinese Jamaican, has rarely received either sufficient respect or any
of the accolades that are definitely due for his pioneering role in the music's development.




"You know Beverley's made the most international hit tunes up to this day? I don't why he doesn't
get the credit for it. He's still unsung..." Bunny Striker Lee

There were four Kong brothers,
Fats, Cecil, "another brother who is a Catholic priest" and Leslie who was born in 1933 and, alongside
Cecil and Lloyd, Leslie ran Beverley's Record Shop and Ice Cream Parlour at 135A Orange Street in Kingston. In 1961 a
young James Chambers wrote a song called 'Dearest Beverley' and went down to Orange Street where he sang it for
Leslie Kong. He was so moved by the youth's song and obvious talent that Leslie "hired a place down Greenwich
Farm named Blissett House where they rehearsed" and he then took James Chambers, whom he renamed Jimmy Cliff,
to the recording studio. 'Dearest Beverley' and 'Hurricane Hattie' were released back to back on the
Beverley's label in Kingston and on Island in London in 1962 and the record was a huge hit. Jimmy and Leslie continued
to work together scoring with a number of seriously successful ska sides including 'King Of Kings', 'Miss
Jamaica' and 'One Eyed Jacks'. Later that year Leslie began to record Desmond Dacres, whom he renamed Desmond
Dekker, on hit records such as 'Honour Your Mother And Father' and 'King Of Ska' and another youth, Bobby
Martell, who released two singles on Beverley's, 'Judge Not' and 'One Cup Of Coffee'. Bobby had arrived at
135A Orange Street as Robert (or Bob) Marley...







When Derrick Morgan began to work for Beverley's he incurred the wrath of his former employer Prince Buster
who recorded the vituperative 'Black Head China Man' which detailed Derrick's alleged betrayal in no uncertain
terms.

"Are you a chinaman? Are you a blackman? It don't need no eyeglasses to see that your skin is
black..."'Black Head Chinaman' Prince Buster

"Prince Buster and I were good friends
until I left him for Beverley's and after 'Forward March' in 1962 he write a song about me called 'Black Head
Chinaman'". Derrick Morgan

 

Derrick Morgan answered Buster
with 'The Blazing Fire' which he introduced in Chinese and sung "be still and know I'm your
superior" and, undeterred, the multi talented Derrick not only continued to sing for Beverley's but also became
Leslie Kong's chief talent scout and co-producer.

 

"You'd come to see him and he played the piano and listened to you. If he liked your song you'd come to the
studio and they'd record it. That was Derrick's job away from singing... Derrick was the man at Beverley's. You can say
Derrick produced those songs because he was the producer... him and Leslie Kong made those tunes but Leslie Kong was the
man who sat in the control room and if he didn't like it he'd say so!" Bunny Striker Lee

The
success of Beverley's Records throughout the sixties, both at home and abroad, was nothing short of phenomenal. Desmond
Dekker & The Aces' '007' reached Number Fourteen in the UK Top Twenty in July 1967. It was the first Jamaican
produced record to reach these exalted international heights but this was only the beginning. An astute businessman who
had always seen the bigger picture Leslie Kong had initially licensed his Jamaican recordings to Chris Blackwell for
release on Island in the UK. In 1967 he formed the Pyramid label in London in partnership with Graeme Goodall to release
Beverley's recordings and, two years later, he began to work with Trojan Records who by then were the UK's leading
reggae label.

 

Meanwhile back home in
Kingston Beverley's records were seldom absent from the Jamaican charts. In 1968 Desmond Dekker & The Aces won the
Festival Song Competition with 'Intensified Festival '68' and the following year The Maytals won with 'Sweet &
Dandy'. '(Poor Mi) Israelites' from Desmond Dekker & The Aces was propelled by the new style reggae
rhythm to the Number One position in the UK in April 1969 and the record then went on to trouble the upper reaches of
the American charts. These were momentous breakthroughs for Jamaican music. 'It Miek', which had previously only
been a hit with England's Jamaican community, reached the Number Seven position the UK National Charts in July 1969. And
the hits just kept on coming...
"So...Derrick Morgan, Jimmy Cliff and Desmond Dekker were the backbone of
Beverley's business. Then you had Ken Boothe, BB Seaton & The Gaylads... The Melodians: 'Rivers Of Babylon', 'Sweet
Sensation', The Pioneers: 'Long Shot Kick The/De Bucket'... You name them!" Bunny Striker Lee







'Long Shot Kick The/De Bucket' from The Pioneers, 'Wonderful World, Beautiful People' by Jimmy
Cliff, 'Rivers Of Babylon' and 'Sweet Sensation' from The Melodians' and 'Monkey Man' by The
Maytals all entered the UK charts. Songs such as The Gaylads' 'There's A Fire', Bruce Ruffin's 'Dry Up Your
Tears' and Ken Boothe's 'Freedom Street' were every bit as popular in the reggae market but inexplicably
failed to chart and Beverley's driving sound, exemplified by Hux Brown's dynamic driving guitar, became the immediately
recognisable sound of crossover reggae.

 

 

The popularity of Leslie Kong's music was so all pervading and persuasive that Bob Marley & The Wailers climbed
aboard the Beverley's bandwagon in 1970 hoping to break internationally with a selection of singles including 'Soon
Come', 'Soul Shakedown Party' and the wonderful 'Caution'. But Leslie Kong's decision to release an
album the following year entitled 'The Best Of The Wailers' led to a heated confrontation with the group. Bunny
Livingston was insistent that this title could not be used because the best of The Wailers was yet to come and that an
album named 'Best Of' was only released after an artist died. In an oft repeated prophecy Bunny proclaimed if
Leslie Kong released the album that he would die but Leslie Kong told him that it was already too late and the album was
ready for release. Leslie Kong died of a sudden heart attack on 9th August 1971.

"He died early and
his brother Cecil used to carry it on but he wasn't really interested. Les had a son too but he wasn't interested
either. Warwick Lyn was working with him but after Les died he started to work with Dynamic Sounds..." Bunny
Striker Lee

Leslie Kong was one of the first to make meaningful inroads into the international market but
his professional musical values did not remain popular after his untimely death. One of the most consistently successful
producers throughout the sixties and early seventies his unerring ability to spot a star, his intelligent, enlightened
employment of top vocalists and session musicians together with an unparalleled aptitude for production that had once
ensured his pre-eminent position in Kingston's musical hierarchy seem to have been forgotten in the intervening forty
years. It is difficult to understand why Leslie Kong has been airbrushed out of the picture of Jamaican musical history.
Perhaps it is something to do with his work being considered 'unfashionable' and possibly because the polished,
sophisticated perfection of his production techniques was at odds with what would later become the perceived image of
Jamaican music.

Beverley's Records have not been particularly well served by the current revival/reissue
labels either. The compilations that have been released have tended to concentrate on his two most successful acts,
Desmond Dekker and The Maytals, at the expense of his other productions. A series of competently compiled and
thoughtfully annotated collections are long overdue for his work has stood the test of time, defied the vagaries of
style and fashion, and stands proud as a testament to Jamaica's 'Out Of Many, One People' adage. But it urgently
needs to be more widely recognised.

WRITTEN BY: Harry Hawks -MY BEST SALUTE FOR YOUR EFFORT &
KNOWLEDGE-  & EXTRACT FROM REGGAECOLLECTOR.COM

Nacido en 1933, y de descendencia oriental, es junto a
Coxsone, Prince Buster y Reid uno de los más exitosos productores que tuvo la isla en los comienzos del negocio del
Reggae.
Aunque muchas veces su figura parece insignificante ante productores de la talla de Dodd ó Reid, es
Leslie Kong el primero de todos ellos en alcanzar el mercado mundial con su música.




Cuenta la historia que un joven, de apellido Chamber, que deambulaba cantando por las puertas del
restaurant/heladería/disquería “Beverley” de Orange Street, propiedad de Kong y sus hermanos,
le propuso un negocio innovador, financiar algunas producciones musicales, comenzando con "Dearest
Beverley" interpretada por este joven llamado James Chambers, de nombre artístico Jimmy Cliff. De este modo
comenzó el sello “Beverlys”, casi de la misma manera que Duke Reid y su licorería
“Treasure Isle” .

En 1962, golpearía a sus puertas el joven Nesta Marley, que luego de
convencer a Kong hizo su debut discográfico con dos temas “One Cup of Coffee” y “Judge
Not” en vibrante ritmo Ska. Aunque en ese momento Jimmy Cliff fue quien hizo exitoso al productor Kong con su
tema “Miss Jamaica” cuando la euforia de la independencia estaba en la cumbre.




Para 1963 Leslie Kong licencia el material que producía en la isla al joven Cris Blackwell, quien
reeditaba el mismo en Inglaterra a través del sello Black Swan, haciendo una buena diferencia, con la cual sostuvo
económicamente a Island Records, en esos primeros años. Con el correr de los años las producciones de Beverys
también serían reeditadas en UK por Pyramid y Trojan Records, ya que los productores jamaiquinos licenciaban dos y
tres veces (al mismo tiempo) sus hits.

Con la red tan bien armada, la pesca estaba asegurada, era sólo
cuestión de esperar, es así que en 1967 con “007” Shanty Town y más tarde con
“Israelites”, ambas de Desmond Dekker, Beverlys llegó a la cima de los charts en UK y USA logrando
ediciones en infinidad de países, incluso en Argentina, de los estos discos de Dekker. De este modo se conoció la
palabra Reggae en el mundo.
No había sido sólo gracias a Dekker que el sello del chino Kong había crecido,
también tuvieron éxitos locales dentro de Jamaica otros artistas como Joe Higgs, Stranger Cole, Ken Boothe,
Gaylads, Delroy Wilson, Melodians (Rivers of Babylon) , Pioneers (Long Shot Kick the Bucket) Toots & the
Maytals (Sweet & Dandy, Pressure Drop, Monkey Man, 54-46), Derrick Morgan y John Holt.

 

Era tan
importante el apadrinamiento de Leslie Kong para Desmond Dekker, que jamás pudo superar las producciones que hizo
junto a él hace 40 años y que aun se mantienen sonando en radios del Reino Unido.

Básicamente la
diferencia que había en las producciones de Beverlys era el sonido, mucho más prolijo que sus competidores, no
había tantos instrumentos saturados, ni vientos y los músicos que empleaba para las sesiones eran de los mejores
que se podían conseguir en la isla. Esto le abrió las puertas del mundo, que no estaba acostumbrado a escuchar
líneas de bajo en primer plano.

Un documento importante para ver a Leslie Kong en acción es la escena
en el film “The Harder They Come” de 1973, cuando el protagonista (Jimmy Cliff) entra a un estudio de
grabación y Kong está supervisando la grabación de un tema de Toots & the Maytals.
Para principios de
los 70´s Bob Marley & the Wailers regresan para trabajar con Kong realizando una cantidad de temas (Soul
Shakedown Party, Caution, Soon Come, Stop that Train, etc.), por lo que el productor pensó incluirlos en un disco que
llamaría “the Best of the Wailers”. A Bunny Wailer principalmente no le gustaba la idea, ya que
opinaba que lo  mejor de los Wailers estaba por llegar "...better must come", argumentando que un disco
 de ese tipo se recopilaba cuando el autor/es había/n muerto o desaparecido. Bunny advirtió a Kong que si se
atrevía a lanzar el disco, una desgracia le llegaría...el productor muere de una insuficiencia cardíaca el 09
de agosto de 1971.

Mas allá de lo biográfico me parece importante buscar la clave del éxito de este
productor, que si bien tenía buenos artistas y músicos, eran prácticamente los mismos que utilizaban sus
competidores.

Creo que la clave estaba en que Kong orientó su sonido hacia la forma en que se escuchaba
música en todo el mundo: la radio. Sus producciones tenían las voces y las guitarras al frente y no el bajo que es
muy difícil de reproducir en equipos domésticos.Esa característica lo ponía en desventaja a la hora de
romper los Sound System con terribles frecuencias bajas, pero hacía su música muy radial y
“parecida” en términos sonoros a las bandas inglesas ó americanas que monopolizaban las ondas
de radio en el mundo. 

WRITTEN BY: MR.MARTÍN CUETO, SURELY A BIG MAN -BUSCA SU BLOG/SEARCH HIS
BLOG-

IF YOU WANT UPDATE YOUR INFO ABOUT THIS PRODUCER & MORE, VISIT THIS PAGE
http://jamaica-gleaner.com/gleaner/20140209/ent/ent3.html, AN ARTICLE WRITTEN BY ROY BLACK -GOOD JA CULTURE
WISEMAN-...DO YOU WANT MORE??? JEREMY GOLDKORN HAS WRITTEN  ABOUT CHINESSE INMIGRANT PEOPLE IN JAMAICA & THE
RELATION WITH THE MUSIC SCENE OF THE ISLAND: http://www.danwei.org/chinese_reggae_pioneers.php

LAST NIGHT
I WAS WITH..., IS A UNIQUE TITLE FOR A COUPLE OF COMPILATIONS WICH I WANT TO REALIZE IN A FUTURE -MAYBE IN A NEAR OR
FAR FUTURE-NORMALLLY THE LABELS HAVE PROBLEMS WITH THE COPYRIGHTS & DON´T INSERT CRUCIAL TRACKS DUE TO MONEY
ISSUES...I TRIED CHOOSE THE MOST PLAYED & INFLUENTIALS SONGS IN LESLIE´S PRODUCTION, DIVIDING IN FOUR FOLDERS -I
NAMED HOURS- AS IF I WAS TALKING WITH KONG ABOUT HIS PRODUCTIONS...THE REST OF THE ENCOUNTER IT´S STRICTLY
CONFIDENTIAL...

FIRST HOUR

01 - DERRICK MORGAN - Forward March
02 - THE MAYTALS
- Teacher Teacher
03 - BOBBY MARTELL (BOB MARLEY) - Judge Not
04 - JIMMY CLIFF - Dearest Beverly
05 -
JOHN HOLT - Forever I'll Stay
06 - THE GAYLADS - Last Time
07 - THE MAYTALS - 54-46
08 - THE PIONEERS -
Battle Of The Giants
09 - DESMOND DEKKER - Honour your mother & father
10 - DESMOND DEKKER - King of
Ska
11 - JIMMY CLIFF - One Eyed Jacks


SECOND HOUR

01 - JIMMY CLIFF - King
of Kings
02 - BOBBY MARTELL (BOB MARLEY) - One Cup Of Coffee
03 - JIMMY CLIFF - Hurricane Hattie
04 - THE
GAYLADS - There's A Fire
05 - THE MAYTALS - Monkey Man
06 - DESMOND DEKKER - 007 (Shanty Town)
07 - THE
MAYTALS - Sweet & Dandy
08 - DESMOND DEKKER - A It Mek [Original Version]
09 - DERRICK MORGAN - Be Still
(1968 version)
10 - JIMMY CLIFF - Miss Jamaica
11 - THE PIONEERS - Long Shot Kick De Bucket


THIRD HOUR 

01 - DESMOND DEKKER - You Can Get It If You Really Want
02 - JIMMY CLIFF -
Hard Road to Travel
03 - KEN BOOTHE - Freedom street
04 - BOB MARLEY & THE WAILERS - Soul Shakedown
Party
05 - THE MAYTALS - Pressure Drop
06 - DERRICK MORGAN & PATSY - Housewives Choice
07 - THE
BEVERLEY´S ALL STARS & ROLAND ALPHONSO - El Toro
08 - DERRICK MORGAN & PAULINE MORGAN - You Never Miss
Your Water
09 - THE MELODIANS - Sweet Sensation
10 - WILFRED JACKIE EDWARDS - Why make believe


FOURTH HOUR

01 - DERRICK MORGAN - Blazing Fire
02 - MILLIE SMALL - Sunday Morning
03 - BOB MARLEY & THE WAILERS - Caution
04 - THE MAYTALS & BEVERLEYS ALL STARS - Walk With Love
05 -
THE GAYLADS - My Jamaican Girl
06 - THE BEVERLEY´S ALL STARS & ROLAND ALPHONSO - Goodnight My Love
07 -
DESMOND DEKKER & THE ACES - Israelites
08 - THE MAYTALS - One Eyed Enos
09 - BRUCE RUFFIN - Dry up your
tears (1969)
10 - THE MELODIANS - Rivers Of Babylon

*RED LETTERS: THESE TRACKS COME FROM MP3
FILES!!!!!

 

THIS WORK IS DEDICATED TO ALL REGGAE
DEMONOID FAMILY WHO INVOLVE WITHOUT PROFIT, SPREADING REGGAE MUSIC IN NET, MAINLY IN THIS SITE...JAHWEBHIPOWA, RAS
LEROY, SAAJK42, BALTO7,BIGVIC13,FRANZMAN,...SPECIALLY TO THE INDESTRUCTIBLE DADDY DRUMSY  
;)...THE MISTERY AND STRENGTH OF A RASTA COMES FROM THE PERSEVERANCE, DON´T FORGET IT!!!! PASS A GOOD DAY, HUMAN
BEINGS  !!!!!!


COMMENT, SEED & RESEED REGGAE DEMONOID FAMILY!!!!!!
 
                                                             

Related torrents

Torrent Name	Added	Size	Seed	Leech	Health
LAST NIGHT I WAS WITH THE ROOTS OF THE TOASTS + REGGAE KNOWLEDGE	1 Year+ - in Music	997.25 MB	1	1
TMSB-031 Drill That Tight Pussy - Sex With Itty Bitty Girls Four Hours	1 Year+ - in Other	2.82 GB	0	0
A record of having sex with my student for 24 hours while my wife was back at he	8 months ago - in Other	6 GB	10	6
12 People Four Hours Over There, Which Was Wet In Nampa Was Milf Throat Lewd Joy..	1 Year+ - in Other	2.74 GB	0	0
KitanaLure 17 01 09 About Last Night With Ally Breelsen XXX 1080p MP4-KTR[N1C]	1 Year+ - in Other	963.88 MB	0	0

Note :

Feel free to post any comments about this torrent, including links to Subtitle, samples, screenshots, or any other relevant information. Watch LAST NIGHT I WAS WITH LESLIE KONG -ABOUT FOUR HOURS- Full Movie Online Free, Like 123Movies, FMovies, Putlocker, Netflix or Direct Download Torrent LAST NIGHT I WAS WITH LESLIE KONG -ABOUT FOUR HOURS- via Magnet Download Link.

Comments (0 Comments)

Please login or create a FREE account to post comments