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Miles Davis – Olympia Mar 21st 1960 feat , John Coltrane – Mar 11th 1060 feat , Sonny Stitt – RTE Delta Music D-52008 (2004) - SACD ISO

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Music : Jazz : Lossless
       Miles Davis
– Olympia Mar. 21st 1960 feat., John Coltrane – Mar. 11th 1060 feat., Sonny Stitt  RTE / Delta Music
D-52008 (2004)
SACD rip via PS3 to iso (3.61 GB)   | Jazz

http://sa-cd.net/showtitle/2993

This is not an album for anyone who is just beginning a Miles collection. But for certain saxophonists I know &
perhaps careful listeners who are knowledgeable about styles & traditions, this rare album will be an endless
fascination, if not an essential addition to a vital jazz collection.


Stitt joined Miles Davis briefly
in 1960, & recordings with Davis’ quintet can be found only in live settings on the tour of 1960. Concerts in
Manchester & Paris are available commercially & also a number of concerts (which include sets by the earlier
quintet with John Coltrane) on the record Live at Stockholm (Dragon), all of which featured Wynton Kelly, Jimmy Cobb
& Paul Chambers. However, Miles fired Stitt due to the excessive drinking habit he had developed, & replaced him
with Hank Mobley.
—————————————————————————————–
This is a very exciting concert & a rare document with both Sonny Stitt & Miles Davis. They are both in
excellent form & the stylistic tension between the 2 at this transition in Miles’ music is right there to an
attentive listener. I love the way Miles pushes in a modal direction & Stitt responds with a little nod in that
harmonic direction, but with the most impressive virtuosity & intense swing, as if to say “I hear what you are
saying, you call bebop “old fashioned”…but what do you think of this !!”

On page 249
of the autobiography, Miles recounts driving around Philly with Jimmy Heath, recalling that he “probably was
complaining to him about Sonny Stitt playing the wrong stuff on ‘So What,’ because he would always mess up
on that tune.”
The marvel is that Miles called on Sonny to replace Coltrane in the 1st place. But Wayne
Shorter wanted to stay on with Art Blakey, so the most complete & polished bebop player of them all, a saxophonist
embodying, but not extending beyond, the previous tradition took the coveted chair. Until these recordings came to
light–of a 1960 Paris concert in October (there’s an earlier Paris date the same year, only with
Coltrane)–it was assumed the Stitt edition of Miles’ group had never been recorded.
So now we know
what Miles was talking about. Sonny’s musical style–about melodic “formulas” &
rhythmic/harmonic “closure”–is clearly “wrong” for Miles, but not necessarily for Sonny.
On all of the tunes, including the modal “So What,” Sonny “locks” into the time, much like a
Coleman Hawkins, & plays within the harmonies of the tune, coming back to the tonic note at every opportunity. Miles
if anything overplays, as though he’s determined to rub Sonny’s nose in the new music until he gets it.
Sonny will have none of it. He counter-punches with his very best shots, exhausting the melodic/harmonic vocabulary
inherited from Bird & Diz. The result is a dazzling display of disparate pyrotechnics–perhaps the last time
Miles would play this aggressively on record. For my money, this quintet is more exciting, perhaps even breath-taking,
than the Shorter-Hancock-Carter-Williams unit that would soon succeed it.

———————————————————————-——————
SA-CD.net review by stvnharr June 27, 2005: 
Great live sound
John Coltrane’s last recording with
Miles.
Coltrane’s replacement in the band, Sonny Stitt, has a more subdued style here.
7 of the great
Miles Davis 50’s tunes in 2 live dates.
This is one to get if you enjoy jazz

Tracks:

1 All of you
2 So what
3 Round midnight
4 Walkin '
5 Fran dance "put your little foot
right out"
6 Four
7 Two bass hit

Time:  67:20

Musicians:

Miles
Davis
Sonny Stitt or John Coltrane
Wynton Kelly 
Jimmy Cobb 
Paul Chambers

The ISO image
was created using sacd-ripper for PS3 version 0.36.

Thanks to the original uploader!                                                             

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