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Rolling Stones -Beggers Banque UK Mono Decca LK 4955 1968

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Music : Rock : Lossless
Please note that if
your looking for perfection, download or buy the CD, everything I upload is from vinyl with no compression and is
recorded in DVD quality. I have very little mint vinyl so there will be small imperfections but I never upload anything
that I would not keep in my collection

The Rolling Stones - Beggers Banquet UK Mono Decca LK 4995
1968
XARL-8476-4A  XARL-8477--2A

All songs written by Mick Jagger and Keith Richards, except
"Prodigal Son" by Robert Wilkins.

Side one	
No.	Title	Length	
1.	"Sympathy for the
Devil"  	6:18
2.	"No Expectations"  		3:56
3.	"Dear Doctor"  			3:28
4.	"Parachute Woman"  		2:20
5.	"Jigsaw Puzzle"  		6:06
Side two	
No.	Title	Length	
6.	"Street Fighting Man"  	3:16
7.	"Prodigal Son"  	2:51
8.	"Stray Cat Blues"  	4:38
9.	"Factory Girl"  	2:09
10.	"Salt of the Earth" 
	4:48

The Rolling Stones
Mick Jagger ? lead and backing vocals; harmonica on "Parachute Woman"
(outro)
Keith Richards ? acoustic, electric and slide guitars; bass guitar on "Sympathy for the Devil"
and "Street Fighting Man"; backing vocals, lead vocals on opening of "Salt of the Earth"
Brian
Jones ? slide guitar on "No Expectations"; harmonica on "Parachute Woman", "Dear Doctor"
and "Prodigal Son"; Mellotron on "Jigsaw Puzzle" and "Stray Cat Blues"; sitar and tamboura
on "Street Fighting Man"; backing vocals on "Sympathy for the Devil"
Bill Wyman ? bass guitar;
backing vocals and maracas on "Sympathy for the Devil"
Charlie Watts ? drums; backing vocals and cowbell
on "Sympathy for the Devil"; clave on "No Expectations"; tabla on "Factory Girl"

Additional personnel
Nicky Hopkins ? piano, tack piano, organ
Rocky Dijon ? congas on "Sympathy for the
Devil", "Stray Cat Blues" and "Factory Girl"
Ric Grech ? fiddle on "Factory
Girl"
Dave Mason ? shehnai on "Street Fighting Man"; Mellotron (mandolin setting) on "Factory
Girl"
Jimmy Miller ? backing vocals on "Sympathy for the Devil"
Watts Street Gospel Choir ?
backing vocals on "Salt of the Earth"

From Wikipedia
Beggars Banquet is the seventh British
and ninth American studio album by English rock band The Rolling Stones. It was released in December 1968 by Decca
Records in the 
United Kingdom and London Records in the United States. The album was a return to roots rock for
the band following the psychedelic pop of their 1967 album Their Satanic 
Majesties Request.
Glyn Johns, the
album's recording engineer and longtime collaborator of the band, said that Beggars Banquet signalled "the Rolling
Stones' coming of age ... I think that the 
material was far better than anything they'd ever done before. The
whole mood of the record was far stronger to me musically." Producer Jimmy Miller described guitarist Keith
Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian
Jones. When he did show up at the sessions, Jones behaved erratically
due to his drug use and emotional
problems.[3] Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never
really be relied on:
When he would show up at a session?let's say he had just bought a sitar that day, he'd feel
like playing it, so he'd look in his calendar to see if the Stones were in. Now he
may have missed the previous
four sessions. We'd be doing let's say, a blues thing. He'd walk in with a sitar, which was totally irrelevant to what
we were doing, and want to
play it. I used to try to accommodate him. I would isolate him, put him in a booth and
not record him onto any track that we really needed. And the others, particularly Mick
and Keith, would often say
to me, 'Just tell him to piss off and get the hell out of here'.
Jones played sitar and tanpura on "Street
Fighting Man", slide guitar on "No Expectations", harmonica on "Parachute Woman", "Dear
Doctor" and "Prodigal Son", and Mellotron on
"Jig-Saw Puzzle" and "Stray Cat
Blues". Jones is sometimes mistakenly credited for playing the slide guitar on "Jig-Saw Puzzle"; both
guitars are played by Keith Richards
The basic track of "Street Fighting Man" was recorded on an early
Philips cassette deck at London's Olympic Sound Studios, where he played a Gibson Hummingbird acoustic 
guitar, and
Charlie Watts played on an antique, portable practice drum kit. Richards and Mick Jagger were mistakenly credited as
writers on "Prodigal Son", a cover of Robert
Wilkins's Biblical blues song of the same name. According to
Keith Richards the name Beggars Banquet "comes from a cat called Christopher Gibbs".
Critics considered
the LP a return to form. It was also a commercial success, reaching No. 3 in the UK and No. 5 in the US (on the way to
eventual platinum status).
In a retrospective review for eMusic, music critic Ben Fong-Torres called Beggars
Banquet "an album flush with masterful and growling instant classics", and said that it 
"responds
more to the chaos of '68 and to themselves than to any fellow artists ... the mood is one of dissolution and
resignation, in the guise of a voice of an ambivalent 
authority." Colin Larkin, writing in the Encyclopedia
of Popular Music (2006), viewed it as "a return to strength" which included "the socio-political 'Street
Fighting Man' 
and the brilliantly macabre 'Sympathy for the Devil', in which Jagger's seductive vocal was backed
by hypnotic Afro-rhythms and dervish yelps." Larry Katz from the Boston 
Herald called Beggars Banquet
"both a return to basics and leap forward." In Rolling Stone magazine, DeCurtis said the album was
"filled with distinctive and original 
touches", and remarked on its legacy:

If you
want to burn the tracks to CD the tracks will need to be converted to 44.1Khz, 16bit and stereo (two mono tracks) and
checked for sector boundery errors (SBE's) this can be done with the aid of Traders Little Helper from
http://tlh.easytree.org its free has no nasty hidden in it It will also make and save check sums and a lot of others
things as well
             
                                               

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